It’s in the details such as no shoes in the house, and the family sitting down to dinner using chopsticks and bowls.Īnd it’s also in one storyline, when Claudia’s grandmother Mimi gets a stroke and is taken to the hospital. “It's shoehorned in there a little bit,” said Sue Ding, the director of the Netflix documentary “The Claudia Kishi Club,” which drops July 10.įor the new “Baby-Sitters Club,” Cucukov said they wanted to make Claudia’s Japanese heritage more overt. Though Claudia was an inspiration to many, the books rarely discussed race - aside from one instance when a family refused to let Claudia babysit for them because she’s Asian, in book number 56: “Keep Out, Claudia!” “I always knew I wanted to do something creative.” “That's part of the reason why Claudia was always so important to me,” Cucukov said. And she showed many young people, like Cucukov, that they didn’t have to be doctors or lawyers they could be artists. Claudia stood out because she did not fit into the model minority stereotype - she was an artist, a fashionista and an outspoken rebel. In the popular culture of that time, Asian Americans were relegated to supporting roles as nerds and the comic relief. And for many Asian Americans, Claudia Kishi, vice president of the club, was the stand-out character. It followed a group of entrepreneurial middle-schoolers who start a child care business in their small town of Stonybrook, Connecticut. Martin, was published from 1986 to 2000 and sold over 180 million copies. “The Baby-Sitters Club" series, written by Ann M. Momona Tamada, Takayo Fischer and Aya Furukawa in 'The Baby-sitters Club'.
#THE BABYSITTER CLUB SERIES#
"We researched each of the characters thoroughly, noting various story points in their past which would affect how they present themselves and their rooms.The shoes are just one of many small details that were added to the new Netflix series to make the stories of Claudia, played by 13-year-old actress Momona Tamada, and her family more culturally specific than the books the series are based on.
"The books played a big part in the decor of each room," TINK confirms. It only made sense to look to The Baby-Sitters Club books for inspiration when coming up with the design for this show. In addition, my art director Alyssa King and her team produced all the original artwork in each room." "They sourced both new and used items, based on what served each character best. “Over the course of a month or so, my set decorator Victoria Soderholm and her team shopped far and wide throughout the metro Vancouver area and also further abroad for specific items," TINK tells House Beautiful.
TINK worked in collaboration with set decorator Victoria Soderholm and art director Alyssa King to create the vibrant interior design seen on The Baby-Sitters Club. We spoke to production designer TINK to find out what inspired the decor of Kristy, Claudia, Mary Anne, Stacey, and Dawn’s rooms.
At House Beautiful, we’re obsessing over the interior design of the show, specifically each of the girls’ bedrooms, all of which perfectly suit each character and their personal style. Martin, and if so, you probably already binge-watched all 10 episodes of the new Netflix series based on the novels. Growing up, you may have been a fan of the bestselling book series, The Baby-Sitters Club, written by Ann M.
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